Selwyn, 42nd Street, New York, 1955.The first thing you notice isn't the people but the car — a vast black flank of bodywork swelling up from the lower left, hogging half the frame like a beached whale that has somehow swum onto 42nd…
Hat and Five Roses, Paris (Vogue), 1956.She wears the hat like a confession. A wide, upturned brim banded with roses—one creamy white blossom at the left, a fat dark bloom dead center, another pale one at the right, with smaller buds and…
Smoke + Veil x 3, Paris (Vogue), 1958.Three takes of the same instant sit side by side, lifted straight from the strip of film: the perforations, the reversed "SUPER-XX" lettering, the "EASTMAN" rebate and the frame numbers 18 and 17 are…