Canada, 1950s.
Chicago, IL, c. 1952.
New York, 1953.
New York, NY, February 9, 1953.
Self-portrait, New York, NY, 1954.
New York, NY, 1955.
New York, NY, c. 1955.
Chicago, 1956.
Chicago, IL, June 16, 1956.
Untitled, Self-portrait, 1956.
Chicago, IL, May, 1957.
Self-portrait, 1957.
Chicago, 1960.
Chicago, IL, c. 1960.
Chicago, 1961.
Chicago Area, 1961.
New York, New York, 1965.
Bus at Dusk, ND.
Canada, ND.
Untitled, ND.
Untitled, ND.
Canada, 1950s.A picture is sometimes built on a coincidence that the photographer was quick enough to keep.
Chicago, IL, c. 1952.We are down on the pavement, necks tilted, looking up into the underside of the RKO Grand marquee, where the neon spells its name in hot cursive and a border of bare bulbs runs in bright dotted seams…
New York, 1953.A flat, overcast light pours off the harbor and floods the deck, bleaching the sky to blank white and thinning the distant Manhattan skyline to a row of pale, dissolving towers.

Inheriting Dreams: Curated by Max Saula
Essay by Christian Caujolle11 September – 7 November 2025We are delighted to announce our upcoming exhibition: "Inheriting Dreams", curated by Max Saula, the nineteen-year-old son of the gallery's founders.Read moreOn Tour in Barcelona 2025
Inheriting Dreams: Curated by Max Saula24 – 26 September 2025It is our great pleasure to invite you to a three-day private exhibition in Barcelona, Inheriting Dreams , curated by our son, Max Saula. On view will be a selection...Read more
On Tour in Barcelona 2024
Spring 20249 – 12 April 2024On view will be a selection of works by Berenice Abbott, William Klein, Jessica Lange, Saul Leiter, Ramón Masats, Robert Mapplethorpe, Vivian Maier, Steven Meisel, Ray K. Metzker, Joel Meyerowitz,...Read more
Cars and Photography
6 May – 26 September 2023Galería Alta is pleased to present a collective exhibition around the theme “Cars” and Photography.Read more
On Tour in Barcelona 2023
Spring 20236 – 9 June 2023You are cordially invited to our upcoming private exhibition in Barcelona: Tuesday, June 6 - Friday, June 9, 2023. 12 p.m. - 8 p.m. On view will be a selection...Read more
On Tour in Milano 2023
Spring 20239 – 12 May 2023You are cordially invited to our first private exhibition in Milano. We will welcome you at our italian home, the headquarters of Doppiaa: Via della Spiga 1 - 20121 Milano.Read more
On Tour in Paris 2022
Winter 202210 – 12 November 2022It is Alta’s 1st anniversary and we would like to invite you to celebrate with us in Paris : November 10, 11 and 12, 2022. From 10 a.m. to 8...Read more
Black and White and Color
Vivian Maier17 September – 17 December 2021For its first exhibition, Galeria Alta is pleased to present the work of worldwide acclaimed street photographer, Vivian Maier.Read more

Yesterday's photographs are today's world
Ianko López, El País SemanalSeptember 2025
Max Saula: Heir to a vision
Rafael Lozano, La VanguardiaSeptember 2025
Coleccionar Arte Contemporáneo - Fotografía
Vanessa García-Osuna, Tendencias del ArteMarch 2025
Saula & Ferrara
Felip Vivanco, photographs by Txema Yeste, La Vanguardia MagazineNovember 2024
Vivian Maier: Unseen Work
Arthur Lubow, New York TimesJune 2024
Automóviles, naves espaciales, obras de arte
Felip Vivanco, La VanguardiaSeptember 2023
Arts & Cars
Felip Vivanco, La VanguardiaSeptember 2023
Vivian Maier
Felip Vivanco, La VanguardiaMarch 2023
El primer plan del otoño: ver fotografías de Vivian Maier a 1342 metros de altura
Ianko López, Icon / El PaísSeptember 2021
Vivian Maier expuesta a 1342 metros sobre el mar
Manuela Sanoja, Forbes EspañaJuly 2021

The Color Work
Vivian MaierVivian Maier: The Color Work is the first definitive monograph of color photographs by American photographer Vivian Maier.Read more
A Photographer Found
Vivian MaierThe definitive monograph of American photographer Vivian Maier, exploring the full range and brilliance of her work and the mystery of her life, written and edited by noted photography curator and writer Marvin Heiferman; featuring 250…Read more
Vivian Maier Street Photographer
John MaloofA good street photographer must be possessed of many talents: an eye for detail, light, and composition; impeccable timing; a populist or humanitarian outlook; and a tireless ability to constantly shoot, shoot, shoot, shoot and never miss…Read more
Vivian Maier (1926 - 2009) was an American street photographer whose massive, unseen body of work came to light when it was purchased from an auction in Chicago in 2007. Born in New York City, Maier spent some of her youth in France and then worked in Chicago as a nanny and caregiver for most of her life. In her leisure, however, Maier ventured into the art of photography. Consistently taking photographs over the course of five decades, she would ultimately leave behind over 100,000 negatives. While her photographs have compelled viewers around the world since being brought to the public eye there is much that remains unknown about the enigmatic woman behind the lens.
Sometime in 1949, while still in France, Maier began making her first photographs with a modest Kodak Brownie- an amateur camera with only one shutter speed, no focus control, and no aperture dial. In 1951, she returned from France alone and purchased a Rolleiflex camera the following year. In 1956, she moved to the North Shore suburbs of Chicago, where a family employed her as a nanny for their three boys. She enjoyed the luxury of a darkroom as well as a private bathroom, enabling her to process prints and develop her own rolls of black and white film. As the children entered adulthood, Maier had to seek other employment, forcing her to abandon developing her own film. Moving from family to family thereafter, her rolls of undeveloped, unprinted work began to collect.
It was around this time that Maier decided to switch to color photography. Her subject matter shifted away from people to found objects, newspapers, and graffiti. In the 1980s, financial stress and lack of stability once again put Maier's processing on hold, and the undeveloped color rolls began to accumulate. Sometime between the late 1990s and the first years of the new millennium, Maier put down her camera and stored her belongings while she tried to stay afloat. She bounced from homelessness to a small studio apartment, which a family she used to work for helped pay the rent. With meager means, the photographs in storage became lost memories until 2007, when they were sold off due to non-payment of rent. In 2008, Maier's health began to deteriorate after she fell on a patch of ice, forcing her into a nursing home. She never made a full recovery, leaving behind an immense archive of work when she died in 2009.
In 2007, the contents of Maier's storage space were purchased by several buyers at auction, including John Maloof, who has since dedicated himself to establishing her legacy. While he was unable to connect with Maier in her lifetime, Maloof shared a selection of Maier's photographs online in 2009 and was met with "viral" interest. Compelled to learn more about the woman behind the lens, Maloof began to investigate the life and work of Maier, culminating in the Oscar-nominated documentary Finding Vivian Maier (2014). Since the discovery of her work, Maier's photographs have the subject of several publications and have been exhibited at major institutions throughout the world.

