Phone, White House Lawn, 1970.
Police, Ohio, 1970.
Auto Wash, New York City, 1971.
Curlers, Ohio, 1971.
Decision Time, Ohio, 1971.
Filling Station, Sparta, Ohio, 1971.
Gardener, Garden City, New York City, 1971.
Pasture, New Hampshire, 1971.
Romance, 1971.
Atlas Seed, Mount Liberty, Ohio, 1972.
Davos, Switzerland, 1972.
Drive-In Church, Ohio, 1972.
Fire, 1972.
Pizza, 1972.
Politics, Florence, Italy, 1972.
Today's Special, Albion, New York, 1972.
Vota Gucci, 1972.
White Top, Ohio, 1972.
Halloween, Delaware, Ohio, 1973.
Passing Car, Illinois, 1973.
Popeye and Pluto, 1973.
Speed Trap, New York, 1973.
Wrestling, 1973.
Parking Lot, Manhattan, 1974.
Street Parking, Minnesota, 1982.
Airborne Egg, 1998.
Dancing Window, 1998.
Driftwood Steps, 1998.
Gathering West, 1998.
June's Forge, 1998.
June's Heart, 1998.
Stone Egg, 1998.
Pray For Us, 2011.
Phone, White House Lawn, 1970.The White House is nowhere in this photograph, though its lawn is named; what I am given instead is a run of iron palings, a hedge gone soft with shade, and a black telephone set down on the ground…
Police, Ohio, 1970.In this striking black and white photograph by Clark Winter, we're transported to a quintessential American scene from 1970 - a Delaware Police car parked at a Burger Chef drive-in during the night…
Auto Wash, New York City, 1971.Three panels of hand-lettered instruction hang at eye level across the top of the frame—BRAKE OFF, CAR IN PARK, MOTOR ON—and it is on those words that Clark Winter has built the picture.

Inheriting Dreams: Curated by Max Saula
Essay by Christian Caujolle11 September – 7 November 2025We are delighted to announce our upcoming exhibition: "Inheriting Dreams", curated by Max Saula, the nineteen-year-old son of the gallery's founders.Read moreOn Tour in Barcelona 2025
Inheriting Dreams: Curated by Max Saula24 – 26 September 2025It is our great pleasure to invite you to a three-day private exhibition in Barcelona, Inheriting Dreams , curated by our son, Max Saula. On view will be a selection...Read more

Birds
Clark WinterConsisting of images photographed from the pages of antique ornithological volumes, this book is Clark Winter’s tribute to the glorious world of exotic birds.Read more
Free Air. Robert Frank - Hands at Work
Clark WinterClark Winter’s photographs of Robert Frank in Mabou, Cape Breton, reveal a previously unseen, tactile dimension of a creative mind that remained fearlessly at work until the very end.Read more
Here to There
Clark WinterClark Winter’s perceptive photographs of cars across the decades—and around the world—revel in nostalgia while revealing the subtleties of our relationship with automobiles, drivers and the things we see along the way.Read more
Clark Winter is a renowned global strategist and accomplished artist whose work bridges photography, videography, and geopolitics. With decades of experience at JPMorgan, Clark has lived and worked across Spain, Latin America, Asia, and the United States, witnessing firsthand the disruptions, transitions, and emergence of new societies.
As both a world-class authority on geopolitics and a passionate visual storyteller, Clark's photography captures the striking contrasts between rapid development and the enduring harmonies of our world. His images thoughtfully explore the interplay of intentional and unintentional consequences, offering a unique perspective on humanity's role as both creators and products of nature.
Through his lens, Clark contemplates humans not only as vibrant beings but also as integral elements within the broader tapestry of natural and man-made environments. His work invites viewers to reflect on the complex relationship between progress, tradition, and the ever-changing global landscape.
Clark's publications include Here to There (Damiani Books, 2025), 10 Films by Clark Winter DVD (Steidl Verlag, 2025), Birds (Steidl Verlag, 2025), Free Air (Steidl Verlag, 2025), and features in Blind Magazine (2024). He is also the author of Either / Or (Random House, 2008).
In addition to his artistic achievements, Clark serves as a trustee for several cultural organizations, including the June Leaf and Robert Frank Foundation, positioning him as a steward of significant photographic legacies.




