9th March, Accra, Ghana 2024.
A Song to Build A Dream, Saint Louis, Senegal 2024.
Alone, Not Lonely, Saint Louis, Senegal 2024.
An Apple A Day, Accra, Ghana 2024.
Are We There Yet, Saint Louis, Senegal 2024.
Better Left Unsaid, Accra, Ghana 2024.
Between Earth and Sky, Saint Louis, Senegal 2024.
Between Stations, Accra, Ghana 2024.
Blue, Accra, Ghana 2024.
Broken Bread, Accra, Ghana 2024.
Christmas Shoes, Accra, Ghana 2024.
Count your stars, Accra, Ghana 2024.
Crosswalk, Accra, Ghana 2024.
Dance with my Father, Accra, Ghana 2024.
Day One, Accra, Ghana 2024.
Down the Street, Saint Louis, Senegal 2024.
Dreams from my Father, Accra, Ghana 2024.
Father and Griot, Accra, Ghana 2024.
Generations, (Triptych), Accra, Ghana 2024.
Have I Ever Sold You A Dream, Saint Louis, Senegal 2024.
Hold Me Close, Accra, Ghana 2024.
Hotel du Palais, Saint Louis, Senegal 2024.
Ice-cream for Two, Please, Saint Louis, Senegal 2024.
In the Field of Memory, Saint Louis, Senegal 2024.
In The Hand Of The Father, Accra, Ghana 2024.
In the Moonlight, Accra, Ghana 2024.
Iron Fist, Accra, Ghana 2024.
It is Written, Accra, Ghana 2024.
Lost in her Charm, Saint Louis, Senegal 2024.
Love is a Picnic, Saint Louis, Senegal 2024.
Lover's Shade, Saint Louis, Senegal 2024.
Making Melodies in My Heart, Accra, Ghana 2024.
Morning Face, Accra, Ghana 2024.
Mouthpiece, Accra, Ghana 2024.
My first Photograph, Accra, Ghana 2024.
My Only Ticket Home, Accra, Ghana 2024.
Nothing said on Purpose II, Saint Louis, Senegal 2024.
Once Upon A Younger Year, Accra, Ghana 2024.
Our Little Drama, Saint Louis, Senegal 2024.
Own this Sound Forever, Accra, Ghana 2024.
Right Wrong, Accra, Ghana 2024.
Round Of Applause, Accra, Ghana 2024.
Take Care, Son, Accra, Ghana 2024.
Taxi, Saint Louis, Senegal 2024.
Tbd 2024.
Tbd 2024.
The Grass is Greener Where my Father is, Accra, Ghana 2024.
The Lord’s Prayer, Accra, Ghana 2024.
The way You Wear Your Hat, Saint Louis, Senegal 2024.
There are Diamonds in Colobane, Saint Louis, Senegal 2024.
Until Soon, Saint Louis, Senegal 2024.
White Belt, Accra, Ghana 2024.
Brothers Fight, Accra, Ghana 2023.
Can we Take the Long Way Home? II, Accra, Ghana 2023.
Can we Take the Long Way Home?, Accra, Ghana 2023.
Fight Night, Accra, Ghana 2023.
Flower Boy (Aperture Cover) 2023.
Greener Pastures, Bluer Oceans, Accra, Ghana 2023.
Taya Man no be Lazy Man, Accra, Ghana 2023.
The Barbershop, Accra, Ghana 2023.
What Are Brothers For?, Accra, Ghana 2023.
Amen I, Accra, Ghana 2022.
Amen II, Accra, Ghana 2022.
Daddy's Polaroid, Accra, Ghana 2022.
Daddy's Polaroid, Accra, Ghana 2022.
Don't Say Cheese, Accra, Ghana 2022.
Grace Flows Like a River Accra, Ghana 2022.
Home Sweet Home, Accra, Ghana 2022.
Joy Comes in the Morning, Accra, Ghana 2022.
Let the Little Children Come to Me, Accra, Ghana 2022.
Like Father, Like Son, Accra, Ghana 2022.
Many Reasons to Live Again, Accra, Ghana 2022.
Mommy Smile, Accra, Ghana 2022.
Mr Bilson, Play On, Accra, Ghana 2022.
My House, My Rules, Accra, Ghana 2022.
Oh Grace, Accra, Ghana 2022.
One Thousand Hallelujahs, One Thousand More, Accra, Ghana 2022.
Panyin, Kakra I, Accra, Ghana 2022.
Panyin, Kakra II, Accra, Ghana 2022.
The Family Photograph I, Accra, Ghana 2022.
The Family Photograph II, Accra, Ghana 2022.
The Good Book, Accra, Ghana 2022.
The Gospel, Accra, Ghana 2022.
Till Death Do Us Part (Diptych), Accra, Ghana 2022.
Your Cup of Tea, Accra, Ghana 2022.

Vogue France
June 2026
Beyond Real-Time Capture
Melis Özek, NR MagazineJune 2026
In an Age of Image Overload, AIPAD Reminds Us What a Photograph Can Do
Elisa Carollo, The ObserverApril 2026
Retrato forense de un amor / Forensic Portrait of a Love
Gorka Lejarcegui Zubizarreta, El PaísApril 2026
Arles 2026. Les Rencontres de la Photographie
April 2026
L' Africa vista e capita con nuovi occhi
Laura Leonelli, Il Sole 24 OreDecember 2025
Carlos Idun-Tawiah reimagines his Childhood Memories
Tenzin Tsagong, New York TimesNovember 2025
Per la sua 28a edizione, la fiera di fotografia più importante del mondo diventa un laboratorio sullo sguardo
Chiara Bardelli Nonino, Harper's Bazaar ItaliaNovember 2025
Du Ghana au Mexique en passant par la Hongrie et la Pologne, le palmarès du Figaro de Paris Photo 2025
Valérie Duponchelle, Le FigaroNovember 2025
The standout images from Paris Photo 2025
Emily Dinsdale, DazedNovember 2025
Paris Photo 2025 : retour sur les 30 grands coups de cœur de la rédaction d'AD
AD FranceNovember 2025
Paris Photo: heridas, tensiones y nuevas miradas en una feria en constante reinvención
Gloria Crespo Maclennan, El PaísNovember 2025
Carlos Idun-Tawiah Wins Deloitte Photo Grant 2025
Rischa Paterlini, Il Giornale dell'ArteSeptember 2025
Tutte le foto che ci mancano
Christian Cajoulle, InternazionaleJune 2025
La finzione ci aiuta a immaginare il futuro che desideriamo
Michele Neri, d la Repubblica - U la RepubblicaMarch 2025
Carlos Idun-Tawiah (b. 1997) is a Ghanaian artist, photographer, and filmmaker whose work transforms personal and collective memory into powerful visual narratives.
Based in Accra and represented globally by Galería Alta, he has emerged as a defining voice in contemporary African photography, creating images that seamlessly blend fiction and nonfiction, past and present, memory and imagination to explore the profound beauty and complexity of African life.
Artistic Vision and Practice
Idun-Tawiah's practice is defined by a conceptually sophisticated approach to documentary photography that transcends mere image capture. Rather than documenting moments, he reimagines them-constructing cinematic visual narratives that probe deeper into meaning and emotional truth. His creative methodology is rooted in personal experience and cultural memory, enabling him to craft stories with profound authenticity and resonance.
Central to his artistic vision is an exploration of universal human themes-family, faith, joy, youth, community, aging, friendship, hope, and love-examined through the specific lens of African and Black experience. His photographs honor the multifaceted dimensions of African life while simultaneously challenging historical gaps in representation and documentation. In this sense, Idun-Tawiah functions as both visual artist and cultural activist, advancing crucial conversations about whose stories deserve preservation and celebration.
Major Works and Series
Sunday Special, draws from childhood memories of growing up in a Christian Ghanaian household. Through intimate exploration of family archives and evocative visual nostalgia, Idun-Tawiah captures the spiritual warmth and communal bonds that define Sundays in Accra, transforming quotidian rituals into meditations on belonging and faith. The series received the Contemporary African Photography Prize in 2023, recognizing its powerful contribution to contemporary photographic discourse.
Boys Will Always Be Boys subverts traditional masculine narratives by celebrating the tender, playful, and emotionally open moments of boyhood in Ghana. These portraits challenge reductive stereotypes while offering an alternative vision of male intimacy and connection, resonating far beyond the geographic specificity of his subject matter.
Hero, Father, Friend- his most celebrated series dedicated to his late father-extends this exploration into Black fatherhood as both personal and collective experience.
Weaving lived memory with imagined scenarios, Idun-Tawiah reconstructs the father-son relationship in all its complexity, capturing both the tangible and ephemeral dimensions of kinship. The series' warm, nostalgic tonality and emotionally layered compositions invite viewers into a profound meditation on love, loss, and the enduring legacies that shape identity. Recently honored with the prestigious Deloitte Photo Grant (2025), the award includes an exhibition at the Triennale di Milano opening on November 27, 2025 and the publication of a monograph, further cementing the work's significance within contemporary photographic practice.
Paris Photo 2025
Idun-Tawiah makes his Paris Photo debut at the Grand Palais (November 12-16) with the solo exhibition I'll Be Here to Remind You, presented by Galería Alta.
This presentation marks a pivotal moment in his international trajectory, affirming his position as a defining voice in contemporary African photography whose work advances crucial conversations about representation, memory, and the celebration of African life on the global stage.







